Zaima Styling Use Cases & CSS Limitation Exploration

Zaima is the name given to the small cantillation annotations in the Ge'ez language hymnary that are rendered in one or more rows above base text. In this article the markup and CSS styling elements developed for rendering Ruby content are applied to Zaima samples that represent the most challenging use cases. The goal is to discover from application any limitations in markup and styling fascilities to support the requirements of Zaima presentation and thus derive a complete model for Zaima representation.

An equally important goal in developing digitally rendered samples is determining with practitioners what characteristics of the calligraphic tradition must be preserved in electronic media. Stylistic features in Zaima presentation may be idiosyncratic to a scribe, artifacts of the scribal process and tools, and need not be rendered in electronic documents. Other features may convey meaning that is critical to the practice and must be rendered in the same way electronically.

Use Cases

Use cases are selected that represent particular challenges in presentation beyond the regular Ruby use cases. Use cases are borrowed from a previous survey in a, now depreciated, article on Zaima Annotation which in turn provides the full page sources of the samples appearing here.

The samples here present focused layout requirements in isolation from their larger context. Larger samples will be produced to help access the overall readibility of electronically laid out Zaima in general, and to evaluate the layout choices made here.

Use Case 1

Features:

• Four rows of annotation.
• Fairly simple.
• Clear left align of ᎖ over ከ in 2nd row. Question: Is this positioning important vs a default center alignment?
• Spanning and centered miliket on 2^nd, 3^rd and 4^th rows over the last two letters. The spanning-centered layout may or may not be important.
• Use Case Question: What is the correct positioning of the annotation in all rows?
• TBD: Add a context note (modes, ceremonies).

		Alternate Rendering
	ከ በሮ᎔᎖ ከ በሮ᎓ሞኂ ከ᎖ በሮሥቱ ከ᎐ በ᎐ ሮር	ከ በሮ᎔᎖ ከ በ᎓ ሮሞኂ ከ᎖ በ ሮሥቱ ከ᎐ በ᎐ ሮር

Figure 1 Selot Kidassie p. 113

Issues:

• Had to specify a 2nd column width or the example gets cut off by the table. A rendering engine appears not be calculating cell content width correctly.
• In the alternative rendering, unable to right align ruby-text over the final base character on rows 1, 2 and 3 using "ruby-align: right".
• ቱ and ኂ on rows 2 and 3 respectively appear to overhang the right side of ሮ unexpectedly. ር on row one aligns with the right side of ሮ as expected. This may be attributable to the font and not the layout engine.
• Is the first or second redendering preferable? Does the difference impact vocalization?

Use Case 2

Features:

• Four rows of annotation.
• Apparent rise rise to the right of some rows up to ክ then a descent to ር which may mirror a vocal rise and fall.
• Presence of the chords and which must render inline with a row.
• TBD: Add a context note (modes, ceremonies).

	ሊ ባ ኖ ስ ፡ክቡ ᎑ ᎓᎔ ር᎖᎓᎔ ሊ᎔ ባ ኖኑሆ᎓ ስ᎗ ፡ክቡምጽ ር᎖᎓᎔ ሊ᎑ ባ ኖው ስ ፡ ክተዒ ቡ ᎖ ር᎖᎓᎔ ሊባ ኖጸጋ ስ᎗ ፡ ክ ቡ᎔ ር᎑፡

Figure 2 Zimarie Wemewasit p. 34

Issues:

• Could not center ᎖ over ቡ in Row 2 because character width included the "u" diacritic mark. Desired "center" location was in the midline of the base glyph በ. Instead, "text-align: left;" is used with a right side space padding before the ᎖ where the space used for padding is at a 25% scale.

Use Case 3

Features:

• Five rows of annotation.
• Apparent descent on first and second rows from ኖ to ሃ (which also appears to be a contiguous sequence).
• Clear disribution between letters ኖ and ስ on first and second rows.
• TBD: Add a context note (modes, ceremonies).

	ሊባ ኖ᎒ ስሃ፡ና ክብ      ርር ሊ ባኖ᎖᎔ ስሃ፡ና ክብ      ርር ሊ᎑  ባኖስ᎖መን ሃ᎐ ፡ናክብ ርር ሊ᎐  ባኖስ᎓᎔᎖᎓᎔᎓᎔᎖᎖ ሃ᎖᎖ ፡ ና᎐ ክብ ርር ሊ ባኖስ᎑ደረ᎓᎔᎖᎖ ሃ᎖᎖ ፡ ና᎐ ክብ ርር

Figure 3 Zimarie Wemewasit p. 34

Issues:

• Determine if ደረ is actually ይረ.
• Determine if the first and second rows sequence from ኖ to ሃ is indeed contiguous.
• Determine if the marks in the space inbetween ኖ and ስ is essential.

Use Case 4

Features:

• Three rows of annotation.
• Slanted qirts in first row after ነ and following.
• Spanning of annotations in both rows across the word boundary ፡ marker over the sequence ነ፡፩.
• TBD: Add a context note (modes, ceremonies).

		Alternate Rendering
	ወኮ ነ፡፩᎖᎓᎓᎓᎖ ደ ወ᎔᎓ ኮነ፡፩ ንሴ᎒᎖᎒᎒᎒᎐᎖ ደ᎐፡	ወኮ ነ፡፩᎖᎓᎓᎓᎖ ደ ወ᎔᎓ ኮነ፡፩ ንሴ᎒᎖᎒᎒᎒᎐᎖ ደ᎐፡

Figure 4 Zimarie Wemewasit p. 68

Issues:

• The beginning of the ᎒᎒᎒ sequence does not begin over ነ but the overall start and end of the annotation between ኮ and ፩ seems ok. Review with an expert-practioner.

Use Case 5

Features:

• Four rows of annotation -verify that the apparent lower rows are independent.
• TBD: Add a context note (modes, ceremonies).

		Alternate Rendering
	ወወ᎒ሙላ ሀ᎐ ብ ከ᎐᎖᎖ ወኢ ወይ ሀኃ ብ ከጐ᎖ ወ᎖᎓᎔ ወ᎖ ሀብ ከ ወቡር ወሀብከ፡	ወወ᎒ሙላ ሀ᎐ ብ ከ᎐᎖᎖ ወወኢይ ሀኃ ብ ከጐ᎖ ወ᎖᎓᎔ ወ᎖ ሀብ ከ ወቡር ወሀብከ፡

Figure 5 Merha Liqawnt p. 127

Issues:

• Verify ይ or ዶ in row 3.
• Look up the miliket for ኢ ይ ኃ to determine if these are 1, 2 or 3 miliket and if they should be written contiguously.
• Right justify desired for ኢ above ወ on row 3, and for both ጐ᎖ and ᎐᎖᎖ above ከ on rows 3 and 4 respectively
• ፡ would vanish if placed after the closing ruby tag as per:
    <rb>ወሀብከ</rb><rt><span></span></rt></ruby>፡
  Accordingly it was placed just within the closing ruby tag as per:
    <rb>ወሀብከ</rb><rt><span></span></rt>፡</ruby>
  This may be a browser issue or an issue with the markup approach taken.
• Is the first or second redendering preferable? Does the diference impact vocalization?

Use Case 6

Features:

• Three rows of annotation -verify that the apparent lower rows are independent.
• TBD: Add a context note (modes, ceremonies).

		Alternate Rendering
	ባ᎒ ነሕ ራ᎐ ን ኒ᎐᎘ ባነአጽነ ሕራንኒ ባ ነሕ ራነ ንኒርእሶ፡	ባ᎒ ነሕ ራ᎐ ን ኒ᎐᎘ ባአጽነ ነሕራንኒ ባ ነሕ ራነ ንኒርእሶ፡

Figure 6 Merha Liqawnt p. 128

Issues:

• Determine if ርእሶ is one or two (ርእ & ሶ) miliket and space as needed.
• Determine if it is OK for አጽነ to extend over ነ.
• Is the first or second redendering preferable? Does the diference impact vocalization?

Use Case 7

Features:

• Three rows of annotation.
• Apparent overhang of ᎓᎔ from ከ.
• Example of ፴ with omitted lower bar.
• TBD: Add a context note (modes, ceremonies).

	ሰ ላ᎒ መ ከ፡᎒ሙ᎘ ን ጸ᎐ ው᎐ ዕ፡ ሰ ላርኢ መ ከ፡ከመ ንፀ ጸሐ ውይ ዕ፡ ሰ ላርኢ መከ፡ክዎ᎓᎔ ን ጸ᎖᎔᎓ ው፴ ዕ፡

Figure 7 Merha Liqawnt p. 128

Issues:

• Top alignment of ሙ᎘ beside ᎒ likely just due to the arrival of ከመ in the 2nd row and is not meaningful.
• ከመ ፀሐይ in the 2^nd row is curious. Determine if this is miliket or another type of annotation.

Use Case 8

Features:

• Four rows of annotation -verify that the apparent lower rows are independent.
• Hidet above ርጥቁ may is possibly a case of a nested Ruby (annotation with annotation as per serayu). May also be an example of joining Hidet.
• TBD: Add a context note (modes, ceremonies).

	ሀገ ረ᎒ ኪ፡ወ ኢት᎒ሙ᎘ ጐ᎐ ንድ ዪ᎐᎘ ሀገ ረ ኪ፡ወኢ ት᎖ ጐ᎐᎔ ን ድ᎐ ዪ ሀገ ረ᎗ ኪ፡ወ ኢኢ ትጐየሱስ ንድዪክርስቶ ሀ ገረኪርጥቁ ፡ወ ኢ᎖᎓᎔ ት ጐ ን ድ ዪ፡

Figure 8 Merha Liqawnt p. 23

Issues:

• ኢየሱስ ክርስቶ in the 2^nd row is curious. Determine if this is miliket or another type of annotation.
• The Hidet alignment appears off in Safari, review in other browsers.

Use Case 9

Features:

• The ᎒᎓᎒᎖᎒ sequence spans 2 letters along a render line rising at a slight angle to the right.
• The alternate rendering divides the ᎒᎓᎒᎖᎒ sequence over ያ and ን seprately.
• TBD: Add a context note (modes, ceremonies).

		Alternate Rendering
	ቲ᎖ ያን᎒᎓᎒᎖᎒ ቲ ያ᎖ ንሰ᎔፡	ቲ᎖ ያ᎒᎓ ን᎒᎖᎒ ቲ ያ᎖ ንሰ᎔፡

Figure 9 Selot Kidasie p. 9

Issues:

• Unable to use "ruby-align: space-between;" to distribute ᎒᎓᎒᎖᎒ over ያን.
• Is anything lost when the rising qirts marks are arranged fully horizontal and not rising? Can the Zaima be reproduced vocally in the same way?
• Is the first or second redendering preferable? Does the diference impact vocalization?

Use Case 10

Features:

• Fairly simple.
• Presence of the chord which must render inline with a row.
• The ᎒᎖᎒᎓᎒ sequence spans 2 or possibly 3 letters along a render line rising at a slight angle to the right.
• TBD: Add a context note (modes, ceremonies).

	ሐዋሰማ᎓ ር ያት᎒᎖᎒᎓ ᎒ ሐ᎑ ዋሰማ ር ያደ ትታት፡

Figure 10 Selot Kidassie p. 129

Issues:

• Determine if the bottom row is actually two rows.
• Unable to use "ruby-align: space-between;" to distribute ᎒᎖᎒᎓ ᎒ over ርያት.
• rotate(5deg) has no effect, determine if misused.
• Determine if ደ above ያ might actually be ይ.
• Is anything lost when the rising qirts marks are arranged fully horizontal and not rising? Can the Zaima be reproduced vocally in the same way?

Use Case 11

Features:

• Right side overhang, rising.
• Three part distribution of ዮሐንስ.
• Use Case Question: How critical is it to reproduce the overhang as seen?
• TBD: Add a context note (modes, ceremonies).

	ገብ ር᎐ ኤ ል፡ ᎒ሙ᎘ ገብርኤ ል፡ ሌሊ ገብ᎖ ዮ ርሐ ኤ ል፡ንስ᎖᎔᎖᎔

Figure 11 Selot Kidasie p. 83

Issues:

• The extent of overhang of the annotation is visually very diferent as a consquence of the typeface properties -does this matter?
• Top alignment of ሙ᎘ beside ᎒ likely just due to the arrival of the ሌሊ in the 2nd row and not meaningful.
• Is ᎖ left aligned with ገ important, or may it be centered (default)?

Use Case 12

Features:

• Right side overhang, rising.
• Use Case Question: How critical is it to reproduce the overhang as seen?
• TBD: Add a context note (modes, ceremonies).

	መ፡ ᎙  ᎙ ᎙ ከ መ ᎐ መ፡ ዩ᎖᎓᎔᎖᎓᎔᎓᎔ ከመወተ፡

Figure 12 Merha Liqawnt p. 66

Issues:

• The vertical red strokes are either a form of ᎒ or ᎙, check with an expert-practioner.

Use Case 13

Features:

• Inner overhang, falling.
• Use Case Question: How critical is it to reproduce the overhang as seen?
• TBD: Add a context note (modes, ceremonies).

	ዘኮ ᎐ ᎙ ᎙ ነ፡᎙ሙ᎘ ዘኮ ወኮ᎖᎓᎔᎓᎖ ነ፡᎖᎔᎖᎔

Figure 13 Merha Liqawnt p. 84

Issues:

• The vertical red strokes are either a form of ᎒ or ᎙, check with an expert-practioner.

Use Case 14

Features:

• Inner overhang.
• Use Case Question: How critical is it to reproduce the overhang as seen?
• TBD: Add a context note (modes, ceremonies).

	ኪ ያ᎙ ከ ፡ኦ  ᎙ ᎙ ᎙ ግ ኪ ያጽን ከ ፡ኦ   ቡበ᎖᎓᎔᎖᎓᎔᎓᎔ ግመ

Figure 14 Merha Liqawnt p. 84

Issues:

• "text-align: left;" of ቡበ᎖᎓᎔᎖᎓᎔᎓᎔ in the rt over ፡ኦ had no effect, until an "  " was added in the rb.
• An "  " was added to after ፡ኦ to force alignment of ቡ over ፡ and not the white space before it. This forced space between ፡ and ኦ.
• The vertical red strokes are either a form of ᎒ or ᎙, check with an expert-practioner.

Use Case 15

Features:

• Left side overhang.
• Use Case Question: How critical is it to reproduce the overhang as seen?
• TBD: Add a context note (modes, ceremonies).

	ጕ᎒ሙ᎘ ር ዔ᎐ ሁሢ ጕቡር᎖᎓᎔᎓ ርዔሁ ጕወሡ ርራ ዔሬ ሁሃ

Figure 15 Merha Liqawnt p. 21

Issues:

• Difficulty with positioning the first letter of each row to the left of ጕ -is the left overhang critical.
• The calligraphic sample depicts no overhang from ጕ to ር -is the digital form acceptable?
• Validate that ሢ is the correct symbol.
• Positioning of ሢ should align the diacrtic symbol with the diacritic with ሁ.

Use Case 16

Features:

• Overlapping row position -row 2 overlaps rows 1 and 3.
• Use Case Question: How critical is it to reproduce the low overlap as seen?
• TBD: Add a context note (modes, ceremonies).

		Alternate Rendering
	ምሕ ረበእ ት ምሕ ረቡበ ት ምሕ ረገጸ ት ምሕ ረበእ ት	ምሕ ረበእ ት ምሕ ረቡበ ት ም ሕገ ረ ትጸ ምሕ ረበእ ት

Figure 16 Selot Kidasie p. 213

Issues:

• Is the first or second redendering preferable? Does the difference impact vocalization?
• Verify spelling of ገጸ.
• If laying out ገጸ on its own row is appropriate, is using the default annotation alignment (centered) also appropriate or should the original be preserved?
• Rows 1 and 4 appear redundant in our isolated example, check the broader context of the line of text line.

Use Case 17

Features:

• Two or three rows of annotation.
• Apparent row overlap above ንሴብሕ.
• TBD: Add a context note (modes, ceremonies).

	ይሕ፤ ኪ ያ ከ፡ን ሴብሕ᎓ጢረ᎓᎖᎓᎓፡እ ግዚ ኦ ኪረዩ ያከ᎓᎖᎓᎖᎓᎓᎖᎓፡ን ᎑ ሴ᎓ ብ᎖᎖ ሕ᎑፡እ ᎗ ግዚ ኦሰ ኪ᎗ ያ᎐ ከቱ፡ን ᎑ ሴ᎖ ብ᎖ ሕ᎑፡እ ᎗ ግዚ ኦሰ፡ ይሕ፤ ኪያ᎓᎖᎓᎖ ከረዩ ፡ን ᎑ ዌ᎓ ድ᎖᎖ ስ᎑፡እ ᎗ ግዚ ኦሰ ኪ᎗ ያ᎐ ከቱ፡ን ᎑ ዌ᎖ ድ᎖ ስ᎑፡እ ᎗ ግዚ ኦሰ፡

Figure 17 Merha Liqawnt p. 103

Issues:

• Determine if two or three rows are present above ንሴብሕ. If two rows, what is the context of the red annotation in the first row?
• Some 2^nd row annotation appear very close to the first row, as if shadowing it, is this spacing required in digital form?
• If the first row red annotation above ሴ ,ብ & ሕ belong in their own row, is using the default annotation alignment (centered) also appropriate or should the original be preserved?

Use Case 18

Features:

• Three or four rows of annotation.
• Second row (red) appears to collapse into the first row in several places.
• TBD: Add a context note (modes, ceremonies).

		Alternate Rendering
	ወ ዕ ለትለ᎖᎓ ፡ ኵነ᎖᎓ ኔ ወ᎑ ዕ᎓ ለትለገ ፡ ኵ᎑ ነ᎑ ኔቃር ወ᎗ ዕ ለትቀጽ ፡ ኵ᎑ ነኔ᎖ጾመ፡	ወ ዕ ለትለ᎖᎓ ፡ ኵነ᎖᎓ ኔ ወ᎑ ዕ᎓ ለትለገ ፡ ኵ᎑ ነ᎑ ኔቃ ወ᎗ ዕ ለት ፡ ኵነ᎖ ኔር ወ ዕ ለትቀጽ ፡ ኵ᎑ ነኔጾመ፡

Figure 18 Merha Liqawnt p. 145

Issues:

• Determine if three or four rows are present. If three rows, what is the context of the red annotation in the first row?

Use Case 19

Features:

• Three to five rows of annotation.
• As with use cases 16-18, some red annotations may or may not represent separate rows.
• TBD: Add a context note (modes, ceremonies).

	ንቅረ ብነነ ፡ለመድኃኒተ፡ሕይወት ን᎓ ቅደስ ረ᎖ ብጥም ፡ለመድኃኒተ፡ሕይወ ትጺ ን᎖᎓ ቅረቅጹ ብ ፡ ለ መ ድ ኃ᎖ ኒ ተ᎖ ፡ሕይወ ትጥሮ ንቅረ᎗ ብ፴ ፡ ለ መ᎑ ድ ኃዊ ኒ ተ ፡ሕይወ ትለኪ ንቅረ ብ᎒ጽ ፡ ለ᎗ መ ድ ኃኒ᎖ ተ᎑ ፡ሕይወ ት፡

Figure 19 Selot Kidasie p. 189

Issues:

• Determine if three, four or five rows are present. If three rows, what is the context of the red annotation in the lower rows?
• Some 2^nd row annotation appear very close to the first row, as if shadowing it, is this spacing required in digital form?
• If the first row red annotation above ሴ ,ብ & ሕ belong in their own row, is using the default annotation alignment (centered) also appropriate or should the original be preserved?
• As with similar occurences in Use Cases 16 & 17, is the repositioning of ᎒ጽ above ብ appropriate?

Use Case 20

Features:

• Three or four rows of annotation.
• As with use cases 16-19, some red annotations may or may not represent separate rows.
• TBD: Add a context note (modes, ceremonies).

	ይዲ፤ ነ᎖ ጽር᎖᎓ራቀ᎖᎓᎙ ነ᎖ ጽ ርቡ ነጽ ር᎐ ነ᎔ ጽር᎑᎓ራቀ᎒ዑ። ይካ፤ ቅድሳት፡ለ ቅ᎔ ዱ᎖ ሳ᎓ ንልየ ቅ᎑ ድ ሳ᎓ ትራቀ᎒ዑ ፡ለቅዱሳን፤ ቅ ድ ሳ᎖ ትቡ ፡ ለ᎑ ቅዱ ሳ᎓ ን፤ጽራ ቅ᎑ ድ ሳ᎐ ትኃ ፡ ለ᎔ ቅ᎐ ዱ ሳ᎔᎖ ን፤ስ᎖᎔

Figure 20 Selot Kidasie p. 253

Issues:

• As with similar occurences in Use Cases 16-19, is the repositioning of ቡ above ት appropriate?

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Normative References

Tu’um Lisan Kasa, ያሬድና ዜማው Yared Zeimaw, Tinsaie Zegubaie Matemiya Beit, Addis Ababa, 1981EC/1988

YeTinsaie YeMetsahft Mastemiya Dirjit, የዜማ አርዕስት ምልክት YeZaima Arist Milikt, Addis Ababa, 1983EC/1990

Birhanu Gesesse, Merigeta Dimtse, Priest and Zaima teacher at Urael Orthodox Church, Addis Ababa, 1999

Tinsaie Zegubaie Matamiya Beit, የቅዱስ ያሬድ ታሪክና የዜማ ምልክቶች YeKidus Yared Tarikna YeZaima Milketoc, Tinsaie Zegubaie Matemiya Beit, Addis Ababa, 1959EC/1966

Informative References

Afewerk Ambaw, Memhir, ቍመተ አርያም K’wumete Aryam, Bahir Dar Matemiya Beit Tateme, Bahir Dar, 1990EC/1998

Biete Kahne, መጽሐፍ ቅዳሴ ጕልሕ - በግእዝና በአማርኛ ከነምልክቱ Metsehaf Kidasie Gwulih - BeGe'ezna BeAmarigna Kenemilketu, Addis Ababa, 1991EC/1999

Gebre-Amanuel, Like Kahnat Berhanu, ed., ጸሎት ቅዳሴ - የሕዝብ ተስጥዎ Selot Kidasie - YeHezb Tesetwo, Berhanina Selam Matemiya Dirjit, Addis Ababa, 1989EC/1997

Gebre-Amanuel, Like Kahnat Berhanu, ed., መጽሐፈ ድጓ - ዘቅዱስ ያሬድ Metsehaf Degua - ZeKedus Yared, Nigid Matemiya Dirjit, Addis Ababa, 1988EC/1995

Gebre-Amanuel, Like Kahnat Berhanu, ed., ዝማሬ ወመዋሥዕት Zimarie WeMewas'et, Berhanina Selam Matemiya Dirjit, Addis Ababa, 1986EC/1993

Gebre-Sellasie, Tesfa, ዝማሬ - ዘደረስ ቅዱስ ያሬድ Zimarie - Zederese Kidus Yared, Tesfa Gebre-Sellasie Matemiya Biet, Addis Ababa, 1976EC/1983

Habte-Mariam, Memhir Enbakom, መርሐ ሊቃውንት Merha Likawunt, Nigid Matemiya Dirjit, Addis Ababa, 1991EC/1999

Kessis Kefyalew Merahi, The Most Versative Ethiopian Scholar, St. Yared and His Outstanding Works, Commercial Printing Enterprises, Addis Ababa, April 11, 2004

Kenfe Mikael Muchei, Merigeita, አንቀጽ፡ዘድጓ፡ወዘጸዋትወ፡ዜማ፡ዘቤተልሔም Ankets Zedgwa WeZetsewatwe Zeima ZeBeitlheim, YeTinsaie YeMetsahft Mastemiya Dirjit, 1995 EC/2003

Tesema Habte Mikael Gisew, የአማርኛ መዝገበ ቃላት YeAmarigna Mezgebe Kalat Addis Ababa, 1951EC/1958

Tinsaie Zegubaie Matamiya Beit, ሥርዓት ቅዳሴ - የሕዝብ ተሠጥዎ Sirat Kidasie – YeHezb Tesetwo, Addis Ababa, 1979EC/1986

Woube Kassaye, Liturgical Music of Ethiopia, LISSAN: Journal of African Languages and Linguistics, Volume XIX Number 2, Addis Ababa, 2005

YeTinsaie YeMetsahft Mastemiya Dirjit, መዝሙር ዳዊት Mezmur Dawit, YeTinsaie YeMetsahft Mastemiya Dirjit, Addis Ababa, 1986EC/1993

YeTinsaie YeMetsahft Mastemiya Dirjit, መጽሐፈ፡ቅዳሴ፥ (መዝገበ፡ቅዳሴ፡ዘደብረ፡ዓባይ) Metsihafe Kidasei (Mezigebe Kidasei ZeDebre Abay), YeTinsaie YeMetsahft Mastemiya Dirjit, Addis Ababa, 1984 EC/1991

YeTinsaie YeMetsahft Mastemiya Dirjit, መጽሐፈ፡ዚቅ፡ወመዝሙር Metsihaf Zik WeMezmur, YeTinsaie YeMetsahft Mastemiya Dirjit, Addis Ababa, 1979EC/1986

YeTinsaie YeMetsahft Mastemiya Dirjit, ምዕራፍ ዘቅዱስ ያሬድ Me’eraf ZeKidus Yareid, Comercial Publishing Enterprise, Addis Ababa, 1987