Harp techniques (U+E680–U+E69F)

GlyphDescriptionGlyphDescription
U+E680
harpPedalRaised
Harp pedal raised (flat)
U+E681
harpPedalCentered
Harp pedal centered (natural)
U+E682
harpPedalLowered
Harp pedal lowered (sharp)
U+E683
harpPedalDivider
Harp pedal divider
U+E684
harpSalzedoSlideWithSuppleness
Slide with suppleness (Salzedo)
U+E685
harpSalzedoOboicFlux
Oboic flux (Salzedo)
U+E686
harpSalzedoThunderEffect
Thunder effect (Salzedo)
U+E687
harpSalzedoWhistlingSounds
Whistling sounds (Salzedo)
U+E688
harpSalzedoMetallicSounds
Metallic sounds (Salzedo)
U+E689
harpSalzedoTamTamSounds
Tam-tam sounds (Salzedo)
U+E68A
harpSalzedoPlayUpperEnd
Play at upper end of strings (Salzedo)
U+E68B
harpSalzedoTimpanicSounds
Timpanic sounds (Salzedo)
U+E68C
harpSalzedoMuffleTotally
Muffle totally (Salzedo)
U+E68D
harpSalzedoFluidicSoundsLeft
Fluidic sounds, left hand (Salzedo)
U+E68E
harpSalzedoFluidicSoundsRight
Fluidic sounds, right hand (Salzedo)
U+E68F
harpMetalRod
Metal rod pictogram
U+E690
harpTuningKey
Tuning key pictogram
U+E691
harpTuningKeyHandle
Use handle of tuning key pictogram
U+E692
harpTuningKeyShank
Use shank of tuning key pictogram
U+E693
harpTuningKeyGlissando
Retune strings for glissando
U+E694
harpStringNoiseStem
Combining string noise for stem
U+E695
harpSalzedoAeolianAscending
Ascending aeolian chords (Salzedo)
U+E696
harpSalzedoAeolianDescending
Descending aeolian chords (Salzedo)
U+E697
harpSalzedoDampLowStrings
Damp only low strings (Salzedo)
U+E698
harpSalzedoDampBothHands
Damp with both hands (Salzedo)
U+E699
harpSalzedoDampBelow
Damp below (Salzedo)
U+E69A
harpSalzedoDampAbove
Damp above (Salzedo)
U+E69B
harpSalzedoMetallicSoundsOneString
Metallic sounds, one string (Salzedo)
U+E69C
harpSalzedoIsolatedSounds
Isolated sounds (Salzedo)
U+E69D
harpSalzedoSnareDrum
Snare drum effect (Salzedo)
GlyphDescriptionGlyphDescription
uniE68F.salt01
harpMetalRodAlt
Metal rod pictogram (alternative)
uniE690.salt01
harpTuningKeyAlt
Tuning key pictogram (alternative)

Implementation notes

harpSalzedoFluidicSoundsLeft and harpSalzedoFluidicSoundsRight are similar in function to noteheads, and should be positioned relative to note stems in the same way.

harpSalzedoOboicFlux and harpSalzedoPlayUpperEnd may be repeated to create a continuing line, indicating the duration of the technique.